Improving the New York Times’ Line Wrap Balancer

Improving the New York Times’ Line Wrap Balancer

#Typography
Unbelievable 100-year-old Font Can Be Read Both Backwards and Forwards

Unbelievable 100-year-old Font Can Be Read Both Backwards and Forwards

#Typography
“Type Design is so Much About Fashion Forecasting”: Sharp Type Co-founders on Navigating the Aesthetic Zeitgeist of Typo…

“Type Design is so Much About Fashion Forecasting”: Sharp Type Co-founders on Navigating the Aesthetic Zeitgeist of Typo…

#Typography
The Bumpy Typeface Project Challenges Us to Rethink Our Assumptions About Gender Through Type Design

The Bumpy Typeface Project Challenges Us to Rethink Our Assumptions About Gender Through Type Design

#Typography
Twitter’s New Font and Last of Us 2: An Accessibility Lesson to Be Learned

Twitter’s New Font and Last of Us 2: An Accessibility Lesson to Be Learned

#Typography
Jonna Mayer on Opening Yourself up to Change in Design and Typography

Jonna Mayer on Opening Yourself up to Change in Design and Typography

#Typography
Applied Design Partners with Braille Institute to Design a Font for Those Who are Visually Impaired

Applied Design Partners with Braille Institute to Design a Font for Those Who are Visually Impaired

#Typography