NaN Tragedy

NaN Tragedy

From the thoughts of French sort designer J.B Morizot, NaN’s placing serif NaN Tragedy mixes sci-fi spirit with fantastical expression; embodying the distinction between vintage calligraphy and virtual vector graphics. Following the period and visible weight of a vintage serif, Morizot tells us how the typeface’s structure systematically explores the idea that on which it’s based totally. “The connection between the top and the primary frame of the letterforms makes use of a delicate calligraphic modulation round an overly atypical and recent form,” he explains, “with the speculation of balancing the 2.” With such a lot selection throughout its in depth circle of relatives – the place exaggerated and expressive bureaucracy erupt from italic cuts, whilst subtle moments are discovered inside its lighter weights – NaN Tragedy’s tale is made the entire extra compelling during the everlasting nature of its inspiration. “Stone carving used to be in reality necessary for NaN Tragedy,” Morizot tells us, introducing “visual lines of gear at the stone” inside the minute structure of its letterforms. “I wrap up vectors upon this skeleton I imagined in my head whilst taking a look at those letters,” he recollects, additional noting the importance of Greek calligraphy inside the typeface. “I sought after to breed this very explicit texture in a Latin typeface,” Morizot explains. “It’s no longer a duplicate/paste of Greek rhythm in fact,” he provides, “however I let the typeface be influenced by way of it.” Pushing those intricate concerns to the max around the breadth of the circle of relatives resulted in the advent of NaN Tragedy Display, along its same old textual content counterpart. “The Display model follows obtrusive optical adjustments,” Morizot explains, noting the better scale of the letters tough a narrower body. “The distinction may also be larger for the reason that factor of small sizes doesn’t exist anymore,” he provides, “however a very powerful factor is you’ll be able to permit your self to be extra daring and loopy,” distilling the real wild nature of the typeface. “All the diversifications you must make on a textual content typeface with a view to have a readable typeface,” he recollects, “are simply useless.” Truly encapsulating the spirit and tale of NaN Tragedy is its microsite; an never-ending feed of AI-generated tales that showcase no longer simplest the breadth, scale and complexity of the typeface and its in depth circle of relatives, but in addition the tragic influences at the back of its building. Quickly discovering your self misplaced within the tales, and certainly in a similar way captivated by way of the sublime letterforms, the microsite combines images, sort and the illustrations of Myriam Heinzel in a whirlwind of shape and expression – wearing with it a voice completely in keeping with the typeface’s personal eclectic persona. Beginning its building in 2019, NaN Tragedy has been a labour of affection for Morizot, who is happy to look what the long run holds for it. “The giant praise is when other people begin to use the font in real-life tasks,” Morizot concludes, “checking out the font by yourself laptop is one thing, however seeing in the actual international is slightly one thing!” NaN Tragedy trial fonts Microsite  » Read More

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